This was a painting afternoon in 2023. The paints haven’t been out at all so far in 2025 but hopefully it won’t be too much longer.
art
14th February 2025
Even though I showed a drawing on my last post, that wasn’t the first piece of art I did in 2025. This is the first. Again inspired by The Twilight Zone, this one was a return to using ink, which I love drawing with and missed greatly.
Nightmare at 20, 000 Feet (2025) Ink on Paper.
13th February 2025
Hi there - it’s been a while since I’ve showed up on here, but I’ve been looking at what I think could be a really good platform for my work. I’m not saying anymore at present as I’m still trying t get my head around it, but if it works it could be a good alternative to social media, which I talked about briefly in my last post. Since then I have been back on those sites, Facebook and Instagram (but not Twitter - I couldn’t bring myself to turn over that rock again, except to sign in just long enough to delete my account).
I haven’t done much in the way of art so far. I had a brief return to the sketch book and prepared some canvases for painting but haven’t started anything yet. I’m having a hard time really getting into anything and working consistently on my art practice. So apart from one pencil sketch and a couple of ink drawings there’s not much to show for 2025 so far. All of which sounds a bit negative but I retain hope that things will pickup soon. Maybe I just needed this time out.
In the meantime, here’s a drawing I did last week. At some point I hope to realise it as a painting, part of the Dark Discoveries series and inspired by The Twilight Zone….
12th December 2024
This is a sketchbook piece I did in 2018 using watercolour and gouache.
16th November 2024
A couple of weeks after my trip to the Tate Modern to see the Expressionists exhibition I made another visit just to see the general collection. My anxiety levels about going out have been pretty high and I have to make a concentrated effort to make the journey to St. Pauls on the central line, across the bridge and into the gallery. I set myself a task of only visiting the first floor rooms this visit and leaving the next floor for another day. That way it took some of the pressure off. I managed to enjoy most of the works and get round the first three themed galleries - a bit rushed but good to see some familiar favourites and some that I haven’t seen before. I managed a quick look in the shop and the latest work in the Turbine Hall, Open Wounds by Mire Lee. Here are some images from the day.
Lee Krasner
Jackson Pollock
Giorgio de Chirico
25th September 2024
‘My Dark Companion #2’. I painted this in 2013 on a Sunday afternoon in my studio space at UEL. Continuing a goth theme with crows at gravestones I’d sporadically pursued in 2012/13. I recall this being the only one in colour.
22nd September 2024
Apologies for the poor photography. I remember this painting from one of my favourite artists, Edvard Munch, hanging in a show at The British Museum in 2019. The exhibition was called ‘Edvard Munch: Love and Angst’ and the painting ‘The Sick Child’ (1907). It was dark and unsettling, yet beautiful and inspiring at the same time. An experience I’ve never forgot.
21st September 2024
Another sketch from my dancer period. I loved this image and eventually made a large scale oil painting from it.
20th September 2024
I think this came from 2009 when I had a period of Dance paintings. I particularly enjoyed painting/sketching tango dancers and the Lindy Hop. Personally I can’t dance to save my life. I drifted away from these after a short while but I remember enjoying them. In fact one of my first sales came from this period.
19th September 2024
Photographing work from my ‘Secret Souls’ series. 2015.
18th September 2024
Me in my other job as the Rosetta Arts technician from way back around 2015, about to start drilling holes for the cover I made to block the light spilling into the photography darkroom by the air vent somebody saw fit to install. A friend and colleague called Hassan took the black and white photo with an old camera he was into at the time.
16th September 2024
One of my more expressive paintings from 2007.
15th September 2024
‘Mute’ An oil painting from 2013.
14th September 2024
A gothic drawing in charcoal and chalk for a possible commission that didn’t happen.
13th September 2024
A brief experiment in collage from 2014. Wish I’d have kept it going. I liked the humour that was emerging from them.
12th September 2024
The last days of the Window Gallery and with it my residency there with Rosetta Art Centre. 2012. Just in time too because that’s when we got hit with plumbing issues from the toilets next door flooding mine and the studio next to mine. Also the very last day after the closing show stinking of both vomit and a heavy dumping session in the toilet that gave up the ghost and stopped flushing altogether. The glamour of the artistic life.
11th September 2024
A section from an oil painting I did for an exhibition exploring Celebrity Culture, likening the crucifixion to the voyeuristic nature of reality TV shows and their physical and mental bullying, if not outright torture for mass entertainment. The exhibition happened in 2009/10, and things haven’t got any better. And I wasn’t on social media then either.
10th September 2024
Another nude study in watercolour dating from about 2009.
9th September 2024
A sketch from my second residency in 2013 with the Theatre Royal Straford East, this time recording rehearsals for ‘their pantomime, ‘Dick Whittington’. This was a quick drawing in pen and ink of one of the actors reading through pages of the script.
4th September 2024
This was a mixed media work I made around 2009/10 for an exhibition exploring the theme of celebrity culture, depicted here as a kind of nightmarish Frankenstein’s monster, with camera lenses where the eyes should be and hair made up torn and ripped pages from celebrity magazines. Even now I feel that exposing myself to the content of those magazines showed an extraordinary dedication to my art practice and the exhibition itself.