This was a painting afternoon in 2023. The paints haven’t been out at all so far in 2025 but hopefully it won’t be too much longer.
painting
12th December 2024
This is a sketchbook piece I did in 2018 using watercolour and gouache.
15th November 2024
It’s been a month since my last post. Kept meaning to pick it up again but got caught up in a cycle of procrastination and mental health issues, plus other stuff going on in the background, it’s been difficult to get into my art head space. No new artworks for a while apart from one thing I may yet abandon. I doubt I’ll really do much this side of Christmas now, maybe start fresh in the new year. Last month I managed to see the Expressionist exhibition at Tate Modern, which I really enjoyed. I feel as though I’ve been living in a artistic void this last year or so, not really getting out there to see exhibitions and grab some inspiration, so the Sunday afternoon visit to see Kandinsky, Munter and the Blue Rider group was like a breath of fresh air. Seeing Kandinsky’s works again reminded me of how much I loved his paintings way back when I first started out on my artistic journey. I even wrote my essay about him for my A-Level. I still have it as well.
Anyway, here’s a selection of photos from the exhibition that stood out for me. (Please excuse the photography!)
Vassily Kandinsky, Cossacks 1910-11
August Macke, Portrait with Apples (Elizabeth With Apples), 1909.
Marianne Werefkin, The Red Tree 1910.
Lyonel Feininger, Gelmeroda III 1913
Vassily Kandinsky and Franz Marc, Der Blaue Reiter, R. Piper & Co, Munich 1914
17th October 2024
Going way back now to my A--Level in art and design at Rosetta Studio Workshops (Rosetta Arts). I remember painting the banana skin all day one Thursday, sitting at the back of the studio, no central heating (just one or two electric heaters placed at an inconvenient distance from where I was working), damp from the rain and cold from the soaking I got on the way to the studio that morning, but persevering to get something i was actually quite proud of at the time. I still have this tucked away somewhere, an occasional reminder of how far I came over the intervening years. Also how happy I was then, painting something so ordinary in conditions that were less than ideal and loving every second.
25th September 2024
‘My Dark Companion #2’. I painted this in 2013 on a Sunday afternoon in my studio space at UEL. Continuing a goth theme with crows at gravestones I’d sporadically pursued in 2012/13. I recall this being the only one in colour.
22nd September 2024
Apologies for the poor photography. I remember this painting from one of my favourite artists, Edvard Munch, hanging in a show at The British Museum in 2019. The exhibition was called ‘Edvard Munch: Love and Angst’ and the painting ‘The Sick Child’ (1907). It was dark and unsettling, yet beautiful and inspiring at the same time. An experience I’ve never forgot.
19th September 2024
Photographing work from my ‘Secret Souls’ series. 2015.
16th September 2024
One of my more expressive paintings from 2007.
11th September 2024
A section from an oil painting I did for an exhibition exploring Celebrity Culture, likening the crucifixion to the voyeuristic nature of reality TV shows and their physical and mental bullying, if not outright torture for mass entertainment. The exhibition happened in 2009/10, and things haven’t got any better. And I wasn’t on social media then either.
29th August 2024
Me adding the final touches to my painting, The Last Stop. 2018.
27th August 2024
2012. My first solo exhibition. This was the culmination of my time in the Rosetta Windows Gallery as a resident artist, making and eventually showing a series of mixed media relief paintings I had produced in my studio space on site. It was a terrific experience and one I always treasure. There was something else going on that year as well…the London Olympics? Something like that. I’m not sure….
24th August 2024
Three watercolour sketches from 2007 I did investigating the theme of movement for a City and Guilds Oil painting course I was studying at the time. It ended up forming the basis of a large oil painting composition using basketball players from the subject matter. The painting no longer exists sadly, and I can’t recall right now if I still have an image of it, but to be honest, I have a feeling over the years that I preferred the loose and spontaneous splashes of colour in the rough and ready sketches. They were the keepers.